Blood on Blood

Words by Amiyah Golden

Vulnerable and raw, local artist Chris Rudasill’s latest EP “Blood on Blood” is filled with gritty tones, shadows of melodic anecdote and passionate strums from his guitar.

The local Jacksonville artist has turned his fervent for forging his own tales into a musical experience for listeners to commune over.

I was able to sit back and lean into Rudasilll’s chilling vocals that were accompanied by assorted string instruments that served as the perfect backing to his vehement bellows.

Rudsail’s sound — while unique in its own right — is kindred to other artists who live in many of my playlists such as Novo Amor, John Vincent III and Sufjan Stevens. While folk-inspired music isn’t a contemporary concept, there seems to be a resurgence of a more innovative wave, locally and beyond. My adoration for the genre runs long and true so, it’s always a delight to see the growth in esteem for the style.

“Blood on Blood” is a project that — to its core — is musing. It forces listeners to analyze and become present as they divulge into Rudasill’s intentional lyricism, allowing them to reflect. I think this is what I appreciate most about the sonic approach: the facility to embrace lucidity.

The five-track EP is a conscious project that seems to allow each song to seamlessly flow into the next by design; making the record — while succinct — still feel complete.

While I enjoyed each song, the two that distinctly struck me were “Blood on Blood” and “Fever Dream,” both leaving a lasting impression.

To check out Rudasill’s latest project and keep up with his musical adventures you can find him on Instagram: @chrisrudasillmusic.