“The Robber Bridegroom” is a Foot-Stomping, Knee-Slapping Hoedown at All Beaches Experimental Theatre

January 29, 2019
3 mins read
ABET, The Robber Bridegroom, Photos by Caryl Butterley

A DUAL CRITICS REVIEW

The All Beaches Experimental Theatre (ABET) opened “The Robber Bridegroom” on January 25th, 2019. This high-spirited musical is sponsored by John Johnson and runs through February 10th.

The production by ABET is the North Florida premier. The story is based on a 1942 novella by Eudora Welty adapted from a story the Grimm brothers included in their book of European fairy tales (published 1812); she changed the setting from Germany to Mississippi. The story was rewritten as a musical in the early 1970s, with book and lyrics by Alfred Uhry and music by Robert Waldman. This  version made its way to Broadway in 1975, has had several national tours, and is a frequent choice of regional theatres.

This is a lively show; a foot-stomping, knee-slapping hoedown. If you enjoy bluegrass, country dancing, and actors sashaying in the aisles, you are going to love it.

The story is that of handsome bad boy Jamie Lockhart, portrayed by Brian Matthews, seen most recently as Clifford Bradshaw, the love interest of Sally Bowles in Limelight’s “Cabaret.” He has a great voice, and is perfect for this role as a charming and seductive thief.

ABET, The Robber Bridegroom, Photos by Caryl Butterley

His chief competitors in thievery are the Harp sisters. Little Harp, portrayed hilariously by Ilana Gould, lugs the severed but talkative head of her sister around the stage in a trunk. Big Harp is portrayed by Leighton Baruch, who is making a stage comeback with this appearance.

Jamie receives a dinner invitation from well-heeled plantation owner Clement Musgrove, played uproariously by Brandon Hines in his ABET debut. He is well known on local stages, which notably have included roles at Players by the Sea in “La Cage aux Folles” and “Memphis, “and at The 5 & Dime in “Company.” Musgrove’s most esteemed treasure is his beautiful daughter Rosamund, portrayed by Jacksonville University theatre major Shauna Clark. She is a marvelous singer and has displayed her talents on JU’s stage and in community theatre productions, which have included “Mamma Mia, “Hairspray,” and “James and the Giant Peach.”

ABET, The Robber Bridegroom, Photos by Caryl Butterley

Jamie has eyes for Rosamund but her stepmother Salome (Sadie Akers) has plans of removing this stepchild permanently from her life. Salome is vicious and reportedly ugly, and while Akers appears wonderfully vicious, there isn’t enough makeup in the world to change her appearance to unlovely.  We recently saw her and heard her excellent voice as Sally Bowles in Limelight’s production of “Cabaret.” Salome has hired the village simpleton Goat (Austin Kelly) as her hit man; to her dismay, he fumbles the job.

The cast is rounded out by three talented ladies who have assigned roles and also appear as ensemble members. Carly Barnes, who portrayed “Annie” at the Alhambra, appears as Airie; Reed Marie Grubbs, a Douglas Anderson sophomore, appears as Raven; and Jacquette ‘Jackie’ Jantzen appears as Goat’s mother. Jantzen was seen previously in “The Color Purple” at Players by the Sea.

ABET, The Robber Bridegroom, Photos by Caryl Butterley

We will leave the unfolding of the plot, filled with colorful characters and surprising happenings, for you to discover when you see the show.

The band is on stage and in full view of the audience, and did fantastic work with some challenging songs. The band included Musical Director Anthony Felton (Conductor, Piano), Andrew Phoenix (Guitar), Sean Tillis (Bass), and Kimberly Zielinski (Violin).

ABET, The Robber Bridegroom, Photos by Caryl Butterley

Bradley Akers, who directed this show, is very much in demand as both an actor and director. He is self-employed as a graphic designer, and develops promotional materials for local theatres.

The country dancing was choreographed by Amanda Baillie, and Pam Joiner created the unique costumes. Scenic Designer Brian Matthews (yes, the multi-talented show’s lead) has used wonderful furniture and props to portray a past era, while Light Designer Bryan Frank has added great lighting effects.

ABET, The Robber Bridegroom, Photos by Caryl Butterley

If you have not been to a show at ABET’s new home, you should make it a point to see one or more productions. They make amazing use of limited space. The theatre is located at 544 Atlantic Boulevard in Neptune Beach, Florida. Visit abettheatre.com or call 249-7177 for additional information and reservations.

The Dual Critics of EU Jacksonville have been reviewing plays together for the past nine years. Dick Kerekes has been a critic since 1980, starting with The First Coast Entertainer and continuing as the paper morphed into EU Jacksonville. Leisla Sansom wrote reviews from time to time in the early 80s, but was otherwise occupied in the business world. As a writing team, they have attended almost thirty Humana Festivals of New America Plays at Actors Theatre in Louisville, Kentucky, and many of the annual conferences sponsored by the American Theatre Critics Association, which are held in cities throughout the country.

They have reviewed plays in Cincinnati, Chicago, Miami, Sarasota, Minneapolis, Orlando, New York, Philadelphia, Sarasota, San Francisco, Shepherdstown, and The Eugene O’Neill Center in Waterford, Massachusetts. They currently review about one hundred plays annually in the North Florida area theaters, which include community, college, university, and professional productions.

Current Issue

SUBMIT EVENTS

Submit Events

Advertisements

Date

Title

Current Month

Follow FOLIO!

Previous Story

PBTS Co-Directors Suzanne Hudson Smith and Lee Hamby Meet in the Middle with ‘The Bridges of Madison County’

Lost in Paradise at the Cummer Museum of Art & Gardens: Meet Artist Carlos Rolón
Next Story

Lost in Paradise at the Cummer Museum of Art & Gardens: Meet Artist Carlos Rolón

Latest from Dual Critics

FOOTLOOSE AT THE ALHAMBRA

“Footloose” opened at the Alhambra Dinner Theatre on October 22 and will remain on stage through November 22, 2020. The Dual Critics of EU Jacksonville – Dick Kerekes & Leisla Sansom – did not review the opening of this production, which was sold out before it even opened! Looks like

LOVE, SEX AND THE I.R.S at the ALHAMBRA

ALHAMBRA THEATRE AND DINING REVIEW The Alhambra Dinner Theatre is staging “Love, Sex and the IRS,” a farce that plays out at whirlwind speed. It opened on September 30, 2020 and will remain through October 18, to be followed by “Footloose” and “It’s a Wonderful Life.” The play, written by

EXIT STRATEGY – A PHASE EIGHT THEATER COMPANY REVIEW

Phase Eight Theater Company Delivers Excellent Acting with Superb Direction and Performances Phase Eight brought the Jacksonville premiere of “Exit Strategy” to the stage on October 3, 2020 to an enthusiastic audience. The company, known for provocative productions, was founded several years ago by JaMario Stills, a Douglas Anderson School

CINDERELLA at the ALHAMBRA

The Dual Critics review of “Cinderella” at Alhambra Theatre & Dining find it to be “A lively heartfelt charmer.” The Alhambra Theatre opened “Cinderella,” a long-awaited summer musical on June 11th, 2020, which remains on stage through July 26th. The music is by Richard Rogers, the lyrics by Oscar Hammerstein

FROM THE ARCHIVES: QUILTERS AT PLAYERS BY THE SEA IN 2002  

Reviewed by Dick Kerekes and originally published in EU JACKSONVILLE in 2002 As theatres are closed throughout the world because of the current pandemic crisis, the Dual Critics along with many others, are revisiting and republishing some of their previous work. The musical “Quilters,” was staged at Players By the
GoUp

Don't Miss

The Toxic Avenger, Players By The Sea in Jacksonville Beach, Photos by Josh Andrews

“Rocky Horror” Fans will Love “The Toxic Avenger” at Players by the Sea

Jacksonville Beach’s Players by the Sea opened the cult classic
"Violet" at ABET has an Unusual Theme, Creative Staging, and Beautiful Music, All Beaches Experimental Theatre

“Violet” at ABET has an Unusual Theme, Creative Staging, and Beautiful Music

A Dual Critics Review: Violet at All Beaches Experimental Theatre