The smell of alcohol and fried food was in the air for the Jacksonville Jazz Festival on May 24. The streets were lined with chairs as festival attendees staked out their places. When Jacksonville residents show up for an event, they really show.
The Stooges Brass Band's jazzy sound straight out of New Orleans had people dancing in the streets. The festival crowd had a peaceful, laid-back vibe, and one had to laugh at the over-50 set dancing to Pharrell’s “Happy.”
On the Breezin’ Stage at the Jacksonville Landing, it was standing-room-only, as the Katz Downstairz went off. They serenaded the crowd with covers of R&B and hip-hop classics, such as The Isley Brothers “Between the Sheets” and OutKast’s “So Fresh, So Clean.” The band looked to have a pretty big following judging by the size of the crowd and fans sporting tank tops with the band’s name in the fashion of the Run DMC logo.
At the jazz festival, it's the norm that about 60 things are going on at once. As evidence, Average White Band played the Groovin’ Stage while the Katz Downstairz kept the Landing crowd moving. I caught bits and pieces of Average White Band’s solid set, but I completely missed Al Jarreau, and I’m really not sorry about it. (Note to self after shuffling back and worth between stages: Don't wear flip-flops next year.)
As the clock struck 11 p.m., the jazz fest began to shut down with vendor tents being dismantled. But the night was still young and local favorites were just getting started for Jazz Fest After Dark.
The Band Be Easy kept the crowd satisfied with covers of recent hits like Bruno Mars’ “Treasure” and Justin Timberlake’s “Suit & Tie." They didn’t even shy away from rapping Jay Z’s verse.
Even heavyweights in the DJ remix world get flak from music purists for not treading new ground in songwriting. But a true remix, one that takes a song’s core element in a completely new direction, is a legit discipline on its own. Lars Behrenroth, host of the global weekly radio show Deeper Shades of House, has mastered that discipline, and he brings beats he uses to move and groove audiences the world over to Northeast Florida. Presented by The Garage, 10 p.m.-2 a.m. July 19, St. Augustine Amphitheatre, $15.
An audience arriving for opening night of "Flashdance —The Musical" is bound to expect amazing moves.
Jacksonville native Ryan Carlson, playing a break dancer, and the rest of the cast exceeded all those expectations as the eight-show run kicked off Tuesday night. The Douglas Anderson graduate, possibly energized by his hometown crowd, showed some smooth steps and an aerial move that appeared to unwind in slow motion.
The dancing delivered, but the surprise that got the Moran Theater rocking was that star Jillian Mueller had a show-stopping voice to match her grace.
Mueller's Alex Owens and Corey Mach's Nick Hurley sparred well in a story as old as time, if time began in the '80s. The plot of rich guy woos tough girl probably extends even earlier, but this is the 30th anniversary tour of "Flashdance" — the movie. Fans might feel nostalgic for Jennifer Beals in the 1983 film, but they're unlikely to forget Mueller.
Alex welds by day, flash dances by night and dreams of making it into Pittsburgh's top dance academy. Nick — Alex's boss at the steel mill — chases Alex while also trying to fend off his family's attempts to lay off workers.
The main shortcomings of "Flashdance" are in the story. Supporting characters are given time on stage, but they deserve more plot with which to work. They have the talent but only some of the tools.
Alex's friend Gloria (Ginna Claire Mason) imagines herself as a dancer on MTV, then decides to join a strip club. Her boyfriend Jimmy (David R. Gordon) leaves for New York, chasing his own dream of standup comedy, then comes home before anyone can miss him.
While trying to offer comic relief, his "timing" is on, but his writers have offered him hits as well as misses.
Those writers fare better in scenes involving seasoned dancers Kiki (DeQuina Moore) and Tess (Alison Ewing). Moore nearly steals the show with her vigorous voice and intense acting.
Though not perfect, "Flashdance The …
You might have seen her guest star in big name shows like "Desperate Housewives," "Homeland," "Matlock" or "The Office.' Of course, that doesn’t include her extensive career in theater productions including "The Adventures of Tom Sawyer," "The Baby Dance" and "Getting and Spending." She has also released several albums of jazz music.
Is there anything Linda Purl can’t do?
Her most recent endeavor involves performing in a one-woman play, "The Year of Magical Thinking," directed by Jenny Sullivan. The show is staged for three performances, 8 p.m. Jan. 17 and 2 and 8 p.m. Jan. 18, at Theater Jacksonville in San Marco. The production is part of Theatre Jacksonville's Guerilla Show Series.
The play is about one woman’s emotional journey after unexpectedly losing her husband and their only daughter. Purl describes her character as “brutally honest, a formidable talent and intellect, and very exacting of herself in her writing.”
Purl faced a common fear when preparing for the play. “This play is so brilliantly written, it is such a truthful piece that my primary fear of doing a one-woman play is that it would be crushingly boring to watch one woman talk on an empty stage. I happily discovered this was unfounded.”
While there is quite a bit of grief and mourning in this play, Purl believes that it’s much deeper than that. “There’s a good deal of humor and I can tell you, from having done the play and spoken to a number of audience members after the show, that for many, the play has deep tides of healing in it.”
Purl’s preparation for this play did not solely entail memorization and acting lessons. It was an emotional journey that took a lot of strength. It’s a story that happened behind-the-scenes. And it is one of the reasons that Purl’s character, Joan Didion, really comes to life.
“The journey to the play was life meeting art. My friend and wonderful actress Bonnie Franklin was slated to do the role. However, she …
Hailing from Troy, Mich., We Came As Romans features an interplay of clean singing and brutal screaming vocals over punchy guitar riffs, tight drumming and electronic sections. Vocalists Dave Stephens and Kyle Pavone and guitarist Joshua Moore spoke with Folio Weekly before their set on the opening day of Welcome to Rockville.
F.W.: Your latest album, “Tracing Back Roots,” came out in July 2013, what do you think is different about this album, in relation to “To Plant a Seed” or “Dreams EP”?
D.S.: It’s definitely more melodic. We went with a different producer this time. On our last two records, we used Joey Sturgis. This time around we went with John Feldman. Feldman is so focused on melodies and stuff like that, so it really shines through.
F.W.: Are you currently writing?
D.S.: We’re brainstorming some ideas, but nothing too crazy right now. We’re still on the album cycle for “Tracing Back Roots," so we’re still focused on touring.
F.W.: When you do write, do you usually set aside some time to write or do you work on ideas on the road?
J.M.: It’s kind of both. Usually we’re on the road, and we’re kind of crunched, you know? But we’ll start pulling out ideas and stuff like that. Then we’ll take those ideas and work on them in rehearsal. Hopefully, on the next record we’ll be able to sit down and work things out together, like we did on the last one.
F.W. When touring, do you prefer to play big festival shows like Welcome to Rockville, or do you prefer the smaller, more intimate club shows?
K.P.: Both have their ups and downs. We like the smaller shows, because we get to see our fans close up. But we also like the bigger shows at the same time, because we like seeing all the energy, and it pulls in new fans too.
F.W.: Do you notice any difference between the shows you play here and your international tours?
D.S.: They like to circle pit a lot in Europe. They’ll circle pit to anything. It could …
The Gateway Shopping Plaza, once a popular shopping hub on the Northside, is now a drab town center where the main attraction is Publix. But something inside the Gateway Mall is attracting an audience of its own.
Through the vision of founder Darryl Reuben Hall, Stage Aurora Theatrical Company has been bringing productions to the stage since 2001 and showcasing arts on the Northside.
Stage Aurora continues to make an impact in the community through its Black Arts Festival, now in its seventh year. The festival gives participants an opportunity to show their talents in a variety of art forms. This year’s festival features an Oceanus Tae Kwan Do exhibition in which students will display the teachings of Master Joseph E. Morgan, and a production of the Tony award-wining musical The Wiz featuring 100 Youth Voices. According to Anntoinette Jones, who works for Stage Aurora, the actors (who are mostly students between the ages of 6 and 18) have been working on the production for about two and a half months. She also says that the students won’t be the only ones who will be given the chance to display their talents. Kids of all ages are welcomed to show off their artistic ability to the Stage Aurora audience at the 2014 Youth Talent Explosion.
Though Stage Aurora offers local actors a chance to express themselves on stage, they have also hosted nationally recognized performers at past Black Arts Festivals. Jones says T'Keyah Crystal Keymah (from That’s So Raven), Tony Award winner Melba Moore and Ella Joyce (in a performance of A Rose Among Thorns) were three highlights from past festivals.
The Black Arts Festival spans the July 18-20 weekend, beginning with the Oceanus Tae Kwon Do exhibit on Friday and ending with the 2014 Youth Talent Explosion on Sunday. Performances of The Wiz are Friday and Saturday.
Among his CEO duties helming self-started Grand Hustle Records, rubbing elbows with the likes of Denzel Washington and Russell Crowe in Hollywood films, and serving two stints in county clinks, it’s undeniably impressive that Atlanta-based rapper T.I. (pictured) has found time to write and release eight studio albums, nearly all to chart-topping reception. The three-time Grammy-winning rubberband man brings his brand of hip-hop street cred to Jacksonville’s Aqua Nightclub. Say what you will about one-dimensional songwriting, objectification of women and migraine-inducing grammar – this man knows how to top charts and fill clubs.
Jacksonville filmmaker Damian K. Lahey can be a bit of a recluse at times, so — being the annoyingly prodding journalist friend that I am — I attempted to crack open his oyster shell and, in the spirit of All Hallows' Eve, ask him to give me a list of his favorite horror films. For those not familiar with Lahey from his award-winning Indie film work, his feature-length movies include Cocaine Angel and The Heroes Of Arvine Place, both shot here in picturesque Cowford. Arvine Place, a Christmas holiday-themed movie, is currently finishing up its festival run after winning several awards, and will be released this December on Blu-ray and all major digital platforms. The tireless Lahey has also just completed post-production on a lil' horror/comedy short that he shot in L.A. in July called Soccer Moms In Peril, and is in pre-production on his next feature, which will be shooting in Jacksonville at the beginning of 2015.
Anyway, Lahey agreed to churn out the list at my behest. Curiously (and I would say criminally) missing from his compilation is Tales From the Crypt: Bordello of Blood, featuring a post-relevancy Corey Feldman and pre-right wing Dennis Miller. I'll now step aside and let Mr. Lahey take over the scene from here:
Lahey: When RDS3 asked me to shoot him a list of my favorite horror movies, I was already tired from a long day of work and writing. Nonetheless, I threw back a can of HyperFizzics (a potent locally produced energy drink) and marched forth. Suddenly, it was 4 in the morning and I had not only finished this list, but had also nearly completed the construction of a fully operational time machine in the basement of my apartment building AND finished reading all of Dave Sim's Cerebus tomes.
Now, this is a purely subjective list. This is not what I believe are the best horror movies or the most influential horror movies. This is a list of MY …
Despite the threat of thunderstorms, country fans showed up ready to rock at the Country Rocks the Beach concert June 22. The show featured Craig Morgan and special guests Dustin Lynch and The Lacs.
The gates at Ybor Alvarez Outdoor Sports Complex opened at 3 p.m. and several opening bands played as fans poured in.
The Lacs, a band from Georgia that has gained recent notoriety in 2011, played some of their hits including their first single, “Kickin’ Up Mud.” They played their set all while sipping on beer and taking swigs from a Jagermeister bottle.
Soon after, Dustin Lynch took the stage, performing all his well-known singles including “She Cranks My Tractor.” The single, which debuted in the Top 50 on the U.S. Billboard Hot Country Songs list, pumped up the crowd, especially the girls as he swayed his hips in his tight black jeans.
After these two outstanding opening acts, the crowd was ready for Craig Morgan to come on. As soon as the sound of the tractor played over the loud speakers, Morgan appeared and began singing his single, “International Harvester.” The song from his 2006 album, "Little Bit of Life," is one of Morgan’s most popular hits.
Morgan continue the party by performing some of his other well-known songs like “Redneck Yacht Club” and “That’s What I Love About Sunday.” Both of these songs are from his album, "My Kind of Livin,’ " which was released in 2005.
He played all seven of his top-10 hits, including his single “Almost Home” from his 2002 album, "I Love It." Not only did it top the country music charts, this song earned him a Songwriter’s Achievement Award from the Nashville Songwriter’s Association International and also Song of the Year at the Broadcast Music, Inc.
Morgan sang his most popular songs, but he also let the crowd be part of his history by performing a new song never before played in public. …
Singer-songwriter Cat Power will perform Nov. 8 at the Ponte Vedra Concert Hall.
Cat Power, the stage name for Chan Marshall, canceled several North American concert dates — including her scheduled performance June 16 at the Florida Theatre.
At the time of the cancelation, Cat Power's management indicated she needed the extra time to prepare for her European Tour.
Tickets for the standing-room-only concert 8 p.m. Nov. 8 go on sale at 10 a.m. Saturday, Oct. 12. General admission tickets are $30 in advance.
Cat Power's 2012 album "Sun" was her first in six years with original material. She wrote, performed, recorded and produced the album herself.